{"id":11690,"date":"2020-12-30T09:10:12","date_gmt":"2020-12-30T08:10:12","guid":{"rendered":"http:\/\/barbarafluxa.com\/?page_id=11690"},"modified":"2021-02-16T16:34:29","modified_gmt":"2021-02-16T15:34:29","slug":"prensa-y-critica","status":"publish","type":"page","link":"https:\/\/barbarafluxa.com\/en\/info\/prensa-y-critica\/","title":{"rendered":"Prensa &#038; cr\u00edtica"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"11690\" class=\"elementor elementor-11690\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e34281b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e34281b\" data-element_type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-fa2cb53\" data-id=\"fa2cb53\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-94caf10\" data-id=\"94caf10\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7c56649 elementor-widget elementor-widget-global elementor-global-12940 elementor-widget-writing-effect-headline\" data-id=\"7c56649\" data-element_type=\"widget\" data-widget_type=\"writing-effect-headline.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"a13ree-written-headline\" data-speed=\"10\" data-loop=\"0\">\r\n\t\t\t\r\n\t\t\t\t\t\t\t<span class=\"written-lines elementor-screen-only\">PRENSA Y CR\u00cdTICA<\/span>\r\n\t\t\t\r\n\t\t\t\t\t<\/h3>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6404721 elementor-widget elementor-widget-text-editor\" data-id=\"6404721\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"http:\/\/barbarafluxa.com\/en\/listado-prensa-y-medios\/\">+ INFO: LISTADO PRENSA Y MEDIOS<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3258cf4 elementor-widget elementor-widget-spacer\" data-id=\"3258cf4\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-f6d1fb6\" data-id=\"f6d1fb6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-97aef9e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"97aef9e\" data-element_type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-f203d2a\" data-id=\"f203d2a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-c174d75\" data-id=\"c174d75\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5b6ec56 elementor-grid-3 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-posts--thumbnail-top elementor-card-shadow-yes elementor-posts__hover-gradient elementor-widget elementor-widget-posts\" data-id=\"5b6ec56\" data-element_type=\"widget\" data-settings=\"{&quot;cards_masonry&quot;:&quot;yes&quot;,&quot;cards_columns&quot;:&quot;3&quot;,&quot;cards_columns_tablet&quot;:&quot;2&quot;,&quot;cards_columns_mobile&quot;:&quot;1&quot;,&quot;cards_row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:35,&quot;sizes&quot;:[]},&quot;cards_row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;cards_row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"posts.cards\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-posts-container elementor-posts elementor-posts--skin-cards elementor-grid\">\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-11700 post type-post status-publish format-standard has-post-thumbnail category-prensa-y-critica\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/barbarafluxa.com\/en\/critica1\/\" tabindex=\"-1\" ><div class=\"elementor-post__thumbnail\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1990\" height=\"1054\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-MAIL.jpg\" class=\"attachment-full size-full wp-image-11573\" alt=\"\" srcset=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-MAIL.jpg 1990w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-MAIL-300x159.jpg 300w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-MAIL-1024x542.jpg 1024w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-MAIL-768x407.jpg 768w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-MAIL-1536x814.jpg 1536w\" sizes=\"(max-width: 1990px) 100vw, 1990px\" \/><\/div><\/a>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/barbarafluxa.com\/en\/critica1\/\" >\n\t\t\t\tNada es lo que parece. Javier Ontoria.                                                                                    .\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>El inter\u00e9s que suscita entre los artistas los asuntos de la historia y el modo en que \u00e9sta vertebra nuestro presente no puede pasar inadvertido en esta fase todav\u00eda incipiente de nuestro siglo XXI. El pasado, el que concierne al arte y el que no, es objeto de an\u00e1lisis y<\/p>\n<p>deconstrucciones sistem\u00e1ticos que evidencian un inter\u00e9s por los (&#8230;)<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t30 de April de 2012\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-11731 post type-post status-publish format-standard has-post-thumbnail category-prensa-y-critica\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/barbarafluxa.com\/en\/critica4\/\" tabindex=\"-1\" ><div class=\"elementor-post__thumbnail\"><img decoding=\"async\" width=\"1104\" height=\"612\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/entrevista-EL-PAIS.jpg\" class=\"attachment-full size-full wp-image-11696\" alt=\"\" srcset=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/entrevista-EL-PAIS.jpg 1104w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/entrevista-EL-PAIS-300x166.jpg 300w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/entrevista-EL-PAIS-1024x568.jpg 1024w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/entrevista-EL-PAIS-768x426.jpg 768w\" sizes=\"(max-width: 1104px) 100vw, 1104px\" \/><\/div><\/a>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/barbarafluxa.com\/en\/critica4\/\" >\n\t\t\t\tSoy una artista sin formato. Sol Alonso.                                                                                    .\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>\u00bfCarne o pescado? El trabajo audiovisual de Barbara Flux\u00e1 (Madrid, 1974) surge de las aguas de un r\u00edo y se han mostrado en el antiguo Matadero de Madrid, hoy convertido en espacio para el arte m\u00e1s contempor\u00e1neo. Dif\u00edcil apostar con ventaja (&#8230;)<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t21 de March de 2008\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-2359 post type-post status-publish format-standard has-post-thumbnail category-prensa-y-critica\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/barbarafluxa.com\/en\/critica2\/\" tabindex=\"-1\" ><div class=\"elementor-post__thumbnail\"><img decoding=\"async\" width=\"1078\" height=\"1500\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/invita-galeria-artificial_edited.jpg\" class=\"attachment-full size-full wp-image-11694\" alt=\"\" srcset=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/invita-galeria-artificial_edited.jpg 1078w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/invita-galeria-artificial_edited-216x300.jpg 216w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/invita-galeria-artificial_edited-736x1024.jpg 736w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/invita-galeria-artificial_edited-768x1069.jpg 768w\" sizes=\"(max-width: 1078px) 100vw, 1078px\" \/><\/div><\/a>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/barbarafluxa.com\/en\/critica2\/\" >\n\t\t\t\t(Poner) Las cosas en su lugar. Jos\u00e9 Mar\u00edn Medina.                                                                                    .\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>B\u00e1rbara Flux\u00e1 pertenece a la generaci\u00f3n m\u00e1s reciente de esa constelaci\u00f3n de artistas que tuvo su big-bang en la Quinta Documenta de Kassel (1972), cuando Harald Szeemann -su director- marc\u00f3 un hito para la expansi\u00f3n de unas po\u00e9ticas (operaciones de \u00edndole est\u00e9tica a un mismo tiempo (&#8230;)<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t20 de June de 2005\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<article class=\"elementor-post elementor-grid-item post-11716 post type-post status-publish format-standard has-post-thumbnail category-prensa-y-critica\">\n\t\t\t<div class=\"elementor-post__card\">\n\t\t\t\t<a class=\"elementor-post__thumbnail__link\" href=\"https:\/\/barbarafluxa.com\/en\/critica3\/\" tabindex=\"-1\" ><div class=\"elementor-post__thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"1413\" height=\"691\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/cereceda-articulo-abc.jpg\" class=\"attachment-full size-full wp-image-11695\" alt=\"\" srcset=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/cereceda-articulo-abc.jpg 1413w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/cereceda-articulo-abc-300x147.jpg 300w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/cereceda-articulo-abc-1024x501.jpg 1024w, https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/cereceda-articulo-abc-768x376.jpg 768w\" sizes=\"(max-width: 1413px) 100vw, 1413px\" \/><\/div><\/a>\n\t\t\t\t<div class=\"elementor-post__text\">\n\t\t\t\t<h3 class=\"elementor-post__title\">\n\t\t\t<a href=\"https:\/\/barbarafluxa.com\/en\/critica3\/\" >\n\t\t\t\tTestimonios de una civilizaci\u00f3n perdida. Miguel Cereceda.                                                                                    .\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<div class=\"elementor-post__excerpt\">\n\t\t\t<p>Ni las cajas de detergente Brillo ni sus latas de sopa Campbell ni las Coca-colas de Andy Warhol eran verdaderas. Tampoco las dos latas de cerveza Balantine de Jasper Johns (1960), fundidas en bronce, eran dos verdaderas latas de cerveza. Inauguraban sin embargo una tradici\u00f3n de (&#8230;)<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-post__meta-data\">\n\t\t\t\t\t<span class=\"elementor-post-date\">\n\t\t\t2 de April de 2005\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5c138c6 elementor-widget elementor-widget-spacer\" data-id=\"5c138c6\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-9c3029f\" data-id=\"9c3029f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>PRENSA Y CR\u00cdTICA + INFO: LISTADO PRENSA Y MEDIOS<\/p>","protected":false},"author":1,"featured_media":0,"parent":11893,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11690","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages\/11690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/comments?post=11690"}],"version-history":[{"count":40,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages\/11690\/revisions"}],"predecessor-version":[{"id":12955,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages\/11690\/revisions\/12955"}],"up":[{"embeddable":true,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages\/11893"}],"wp:attachment":[{"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/media?parent=11690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}