{"id":11743,"date":"2020-12-30T11:16:45","date_gmt":"2020-12-30T10:16:45","guid":{"rendered":"http:\/\/barbarafluxa.com\/?page_id=11743"},"modified":"2024-03-04T09:09:24","modified_gmt":"2024-03-04T08:09:24","slug":"publicaciones-y-catalogos","status":"publish","type":"page","link":"https:\/\/barbarafluxa.com\/en\/info\/publicaciones-y-catalogos\/","title":{"rendered":"Publicaciones y cat\u00e1logos"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"11743\" class=\"elementor elementor-11743\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a409cb7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a409cb7\" data-element_type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-266a678\" data-id=\"266a678\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5d67c12 elementor-widget elementor-widget-writing-effect-headline\" data-id=\"5d67c12\" data-element_type=\"widget\" data-widget_type=\"writing-effect-headline.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"a13ree-written-headline\" data-speed=\"10\" data-loop=\"0\">\r\n\t\t\t\r\n\t\t\t\t\t\t\t<span class=\"written-lines elementor-screen-only\">TEXTOS, CAT\u00c1LOGOS Y MEDIOS<\/span>\r\n\t\t\t\r\n\t\t\t\t\t<\/h3>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-80230c0 elementor-widget elementor-widget-spacer\" data-id=\"80230c0\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9069606 elementor-tabs-view-horizontal elementor-widget elementor-widget-tabs\" data-id=\"9069606\" data-element_type=\"widget\" data-widget_type=\"tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1511\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-1511\" aria-expanded=\"false\">CAP\u00cdTULOS Y LIBROS [CHAPTER & BOOKS]<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1512\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1512\" aria-expanded=\"false\">REVISTAS [JOURNALS]<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1513\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1513\" aria-expanded=\"false\">CAT\u00c1LOGOS<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1514\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1514\" aria-expanded=\"false\">MEDIOS<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-1511\" aria-expanded=\"false\">CAP\u00cdTULOS Y LIBROS [CHAPTER & BOOKS]<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1511\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1511\" tabindex=\"0\" hidden=\"false\"><ul><li>Flux\u00e1 \u00c1lvarez-Miranda, B\u00e1rbara (2023). \u201cEl poder del arte y la gente corriente\u201d en G\u00f3mez Aguilera, Fernando (Ed.) C\u00e9sar Manrique, palabra y compromiso: Al poder se le incomoda. Edita: Fundaci\u00f3n C\u00e9sar Manrique, Lanzarote, Islas Canarias. [Cap\u00edtulo de libro].<\/li><li>Flux\u00e1, B\u00e1rbara (2022). \u201cWhen Matter Takes a Position. Post-Anthropocentric Landscapes in Contemporary Art\u201d en Villanueva-Romero, Diana; Kerslake, Lorraine; Flys-Junquera, Carmen (Eds.); Imaginative Ecologies: Inspiring Change through the Humanities. Edita Leiden; Boston: Brill. Series: Nature, culture and literature, 1572-4344: vol. 17. \u00c1mbito Internacional. Idioma: ingl\u00e9s. ISBN: 978-90-04-50126-3. [Cap\u00edtulo de Libro] DOI: 10.1163\/9789004501270_010<\/li><li>Flux\u00e1, B\u00e1rbara &amp; Nieto, Enrique (2021a). \u201cCapital natural: El cap\u00edtulo del mar\u201d. Edita CENDEAC, Instituto de Industrias Culturales y Artes de la Regi\u00f3n de Murcia. \u00c1mbito Nacional. Idioma: castellano. ISBN: 978-84-15556-94-7 [Libro]<\/li><li>Flux\u00e1, B\u00e1rbara (2021b). \u201cPostales desde una imaginaria regi\u00f3n III\u201c en Puente, Alfredo; Ruiz de Samaniego, Alberto; Vindel, Jaime; Fern\u00e1ndez Polanco, Aurora. A punto de ser nada. Edita Fundaci\u00f3n Cerezales Antonino y Cinia, Le\u00f3n. DL: LE 191-2021. \u00c1mbito Nacional. Idioma: castellano. [Cap\u00edtulo de Libro]<\/li><li>Flux\u00e1, B\u00e1rbara (2020b). \u201cTecnonaturalezas confinadas versus coexistencias futuras\u201c en Larra\u00f1aga, Josu; Lupi\u00f3n, Daniel &amp; Co (Eds.) (2020). \u201cConfinad+. Arte y tecnosfera II\u201d. Edita Brumaria. Colecci\u00f3n Uno, N\u00ba54, Madrid. ISBN: 978-84-949929-7-1. [Cap\u00edtulo de libro].<\/li><li>Flux\u00e1, B\u00e1rbara (2020a). \u201cUn viaje de exploraci\u00f3n art\u00edstica a trav\u00e9s de las esferas\u201d en Mesa del castillo, Miguel; Nieto, Enrique (Eds.) (2020). Post-Arcadia. Editorial CENDEAC, Murcia. ISBN: 978-84-15556-76-3.<\/li><li>Flux\u00e1, B\u00e1rbara (2019a). \u201cFuturos paisajes f\u00f3siles\u201d en Larra\u00f1aga, Josu; Mun\u00e1rriz, Jaime (Eds.) (2019). \u201cArte y Tecnosfera\u201d. Edita Brumaria.\u00a0 Colecci\u00f3n Uno, N\u00ba54, Madrid. ISBN: 978-84-949929-7-1. [Cap\u00edtulo de libro].<\/li><li>Flux\u00e1, B\u00e1rbara (2019b). \u201cECO&amp;ART&amp;TECH. Pr\u00e1cticas art\u00edsticas eficaces en la era del Antropoceno\u201d<br \/>en Albelda, J; Sgaramella, Ch.; Parre\u00f1o, J.M. (2019). Imaginar la transici\u00f3n hacia sociedades sostenibles.<br \/>Valencia: Universitat Polit\u00e9cnia de Val\u00e8ncia. P\u00e1gs. 147-154. ISBN: 978-84-9048-748-8. [Cap\u00edtulo de libro].<\/li><li>Flux\u00e1, B\u00e1rbara (2013a). \u00abTrabajando en el espacio cultural\u00bb. Edita Extensi\u00f3n Universitaria de la Facultad &amp; Vicedecanato de Actividades Culturales de Bellas Artes de la Universidad Complutense de Madrid. Madrid.<br \/>M-41841-2012. ISSN: 2255-243X. [Cap\u00edtulo de libro].<\/li><li>Flux\u00e1, B\u00e1rbara (2013b). \u00abNew Cultural Landscapes: Archaeological Method as Artistic Practice\u00bb en Ruibal, Gonzalo (Ed.) (2013). \u00abReclaiming Archaeology\u00bb. Edita Routledge (Classics, Archaeology and Museum Studies) Taylor &amp; Francis Books. London, UK. ISBN: 978-0-415-67392-1 (hbk). ISBN: 978-0-203-06863-2 (ebk) Doi: 10.4324\/9780203068632 [Scopus] [Cap\u00edtulo de libro].<\/li><li>Flux\u00e1, B\u00e1rbara (2009). \u201cExtremadura. Proyectos visuales: Interpretaciones del paisaje cultural\u00bb en Fdez. Polanco, Aurora (Ed.) (2009). \u00abDestrucci\u00f3n y Construcci\u00f3n del territorio. Memoria de lugares espa\u00f1oles\u00bb. Edita la Editorial Complutense de Madrid. 2009, Madrid. M-52.447-2009. ISBN. 978-84-7491-996-7. P\u00e1ginas: 89-112. [Cap\u00edtulo de libro].<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1512\" aria-expanded=\"false\">REVISTAS [JOURNALS]<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1512\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1512\" tabindex=\"0\" hidden=\"hidden\"><ul><li>Flux\u00e1 \u00c1lvarez-Miranda, B.; Gonz\u00e1lez Montelongo, C. (2022). \u201cDi\u00e1sporas vegetales: un imaginario creativo del s\u00edndrome de dispersi\u00f3n\u201d. Edita Turista Interior. Revista de procesos de isla. Tenerife, Islas Canarias. Vol. 7. 70 p\u00e1gs. ISSN: 2605\u20133403. Mon\u00f3gr\u00e1fico.<\/li><li>Flux\u00e1 \u00c1lvarez-Miranda, B\u00e1rbara (2020b). \u201cUna arqueolog\u00eda para el fin de los tiempos\u201d. Edita Revista de la Universidad de M\u00e9xico. Ciudad de M\u00e9xico. Vol. N\u00fam. 857, Nueva \u00e9poca. ISSN: 01851330.<\/li><li>Flux\u00e1, B\u00e1rbara (2020). \u201cUn paisaje f\u00f3sil, excavaci\u00f3n cartogr\u00e1fico afectiva de la descarbonizaci\u00f3n astur\u201d<br \/>Edita Re-Visiones. Madrid, Espa\u00f1a. Vol. 10, (2020). ISSN 2143-0040.<\/li><li>Flux\u00e1, B\u00e1rbara (2019) \u00abDeconstrucci\u00f3n de la monta\u00f1a como paisaje sublime en las estrategias art\u00edsticas contempor\u00e1neas\u00bb.<br \/>Edita \u00d1AWI: arte.dise\u00f1o.comunicaci\u00f3n. Guayaquil. Ecuador. Vol. 3, N\u00fam. 1 (2019): julio. ISSN 2528-7966; e-ISSN 2588-0934.<\/li><li>Flux\u00e1, B\u00e1rbara (2017a) \u00abSobrevolar el lugar equivocado y encontrarlo vac\u00edo\u00bb.<br \/>Edita \u00ac Accesos. Pr\u00e1cticas Art\u00edsticas y Formas de Conocimiento Contempor\u00e1neas. A\u00f1o I, N\u00ba 0, Madrid, 2017. ISSN 2039-5426. ISSNE: 2530-447X. P\u00e1gs. 16-27<\/li><li>Flux\u00e1, B\u00e1rbara (2017b) \u00abDocumentando paisajes culturales como acci\u00f3n art\u00edstica colaborativa\u00bb.<br \/>Edita Roots\u00a7Routes. Research on visual cultures. Periodico Quadrimestrale. ANNO VII, n. 24, gennaio-aprile 2017. Mil\u00e1n (Italia). ISSN 2039-5426 (edici\u00f3n digital).<\/li><li>Flux\u00e1, B\u00e1rbara (2016) \u00abSobrevolar el lado equivocado como estrategia de producci\u00f3n art\u00edstica\u00bb.<br \/>Edita \u00ac Accesos. A\u00f1o I, N\u00ba 0, diciembre, 2016. ISSN: 2530-4488 (edici\u00f3n digital).<\/li><li>Flux\u00e1, B\u00e1rbara (2013) \u00abBajo el manto verde astur\u00bb.<br \/>Edita Tierra y tecnolog\u00eda. Revista de informaci\u00f3n Geol\u00f3gica. N\u00ba 44. Ilustre Colegio Oficial de Ge\u00f3logos. 2013, Madrid. ISSN: 1131-5016. M-10.137-1992.<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1513\" aria-expanded=\"false\">CAT\u00c1LOGOS<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1513\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1513\" tabindex=\"0\" hidden=\"hidden\"><ul><li>\u201cProducir mundo entre redes y mara\u00f1as\u201d B\u00e1rbara Flux\u00e1; Luc\u00eda Loren; Soledad Guti\u00e9rrez (Edits.)(2023). Edita Galer\u00eda de arte Luc\u00eda Mendoza, Madrid. DL.:BA-000648-2023. \u00c1mbito Internacional. Idioma: castellano e ingl\u00e9s.<\/li><li><span class=\"\">\u201cEl valor de la sal. Arte, territorio y procesos extractivos\u201d.<b class=\"\"> <\/b>Juan Guardiola (edit.)(2023). Edita Lo Pati &#8211; Centre d`Art de les Terres de l\u00b4Ebre y la Fundaci\u00f3n D\u00edaz Caneja, Palencia. DL.: T 333-2023. \u00c1mbito p\u00fablico &#8211; nacional. Idioma: castellano y catal\u00e1n.<\/span><\/li><li>\u201cEstaci\u00f3n total\u201d. Nuria Montcl\u00fas (edit.)(2023). Edita Galer\u00eda Luc\u00eda Mendoza, Madrid. BA-000114-2023. \u00c1mbito privado &#8211; local. Idioma: castellano.<\/li><li>\u201cBienal Sur. 2021\u201d. Diana Beatriz Wechsler [et al.](2022); Edita Universidad Nacional de Tres de Febrero, Buenos Aires, Argentina. ISBN: 978-987-8359-54-0. (\u00c1mbito P\u00fablico \u2013 Internacional). Idiomas: castellano e ingl\u00e9s.<\/li><li>\u00abEn Espa\u00f1a. Fotograf\u00eda, encargos, territorios, 1983\u20142009\u00bb. Ram\u00f3n Esparza, Jorge Ribalta, Cristina Zelich (eds.)(2021) Edita Fundaci\u00f3n ICO &amp; RM Verlag, Barcelona. ISBN: 978-84-17975-72-2 (\u00c1mbito P\u00fablico \u2013 Nacional).<\/li><li>\u201cLa cosa del pantano\u201d. Guirao, Jose (edit.)(2020). Edita Fundaci\u00f3n Montemadrid, Madrid. ISBN: 978-84-09-23330-4. \u00c1mbito Internacional. Idiomas: castellano e ingl\u00e9s.<\/li><li>\u201cLa cara oculta de la luna, arte alternativo en el Madrid de los 90\u201d. Ruiz-Rivas, Tom\u00e1s (edit.)(2019). Edita Antimuseo CIIA. Madrid. ISBN: 1793104921. ISBN-13: 978-1793104922. \u00c1mbito Nacional. Idioma: castellano.<\/li><li>\u201cRed Leonardo de Investigadores y Creadores Culturales. 2014-2018\u201d. VV.AA. (2018). Edita Fundaci\u00f3n BBVA, Bilbao. Dep\u00f3sito Legal: BI-1776-2018. \u00c1mbito Nacional. Idioma: castellano.<\/li><li>\u201cLuminaria 03\u201d. Ariza, Fernando (2018). Edita Ayuntamiento de Madrid &amp; Direcci\u00f3n General de Comercio. Madrid. ISBN: 978-84-09-05282-0. Idioma: castellano.<\/li><li>\u201cHybris. Una aproximaci\u00f3n ecoest\u00e9tica\u201d. De la Torre, Blanca (2018). Edita MUSAC (Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n). Le\u00f3n. ISBN: 978-84-92572-66-3. DL. SA 199-2018. P\u00e1g. 42-43 y 116. \u00c1mbito Internacional. Idiomas: castellano e ingl\u00e9s.<\/li><li>\u201cLAB+10 M\u00e1s de 10 a\u00f1os de apoyo a la investigaci\u00f3n y producci\u00f3n art\u00edstica\u201d. Ohlenschl\u00e4ger, Karin (Ed..)(2017). Edita LABoral Centro de Arte y Creaci\u00f3n Industrial. Gij\u00f3n, Principado de Asturias. ISBN: 978-84-09-02357-8. \u00c1mbito Nacional. Idioma castellano.<\/li><li>\u00abLa gran m\u00e1quina III\u00bb. (2016). Edita Diputaci\u00f3n de Lleida. Museu de la Ciencia I de la T\u00e9cnica de Catalunya CAL TREPAT. T\u00e1rrega. DL. 742-2016. Paginas 18-19. \u00c1mbito Nacional. Idioma castellano y catal\u00e1n.<\/li><li>\u00abAprendiendo de las cuencas\u00bb. (2014). Edita Sara L\u00f3pez Arraiza &amp; Nacho Ruiz All\u00e9n, Oviedo. AS2809-2014. ISBN: 978-84-617-0773-7. \u00c1mbito Nacional e Internacional. Idiomas: Castellano e ingl\u00e9s.<\/li><li>\u00abFranges. Els paisatges de la periferia\u00bb. Nogue, Joan; (edit.); Fern\u00e1ndez Polanco, Aurora (2012).<\/li><li>\u00abExtremadura. Proyectos visuales de B\u00e1rbara Flux\u00e1\u00bb. Edita Observatori del Paisatge de Catalunya, Olot. ISBN: 978-84-615-3681-8. \u00c1mbito Nacional. Idiomas catal\u00e1n y castellano.<\/li><li>\u00abNada es lo que parece. B\u00e1rbara Flux\u00e1\u00bb. Texto cr\u00edtico: Javier Hontoria. Edita Museo de Arte Moderno y Contempor\u00e1neo de Santander y Cantabria (MAS). Santander, 2011. SA-305-2011. \u00c1mbito Auton\u00f3mico. Idioma: castellano.<\/li><li>\u00abUna habitaci\u00f3n propia\u00bb. Dalmau, Carmen (edit.) (2011). Edita Seminario permanente sobre literatura y mujer &amp; Universidad Nacional de Educaci\u00f3n a Distancia (UNED) en colaboraci\u00f3n con la Facultad de Bellas Artes de la Universidad Complutense de Madrid. Madrid. SE-1576-2011. P\u00e1gs: 31-34. \u00c1mbito Nacional. Idioma Castellano.<\/li><li>\u00abRastros e indicios\u00bb. (2011). Edita Valey Centro Cultural de Castrill\u00f3n &amp; LABoral Centro de Arte y Creaci\u00f3n Industrial de Gij\u00f3n. Avil\u00e9s. P\u00e1ginas: 14-21. \u00c1mbito Nacional. Idioma Castellano.<\/li><li>\u00abIn transit\u00bb. CAMON. (2010). Edita Pensart &amp; Vicerrectorado de Cultura y Deporte de la Universidad Complutense. Madrid. \u00c1mbito Nacional. Idioma Castellano.<\/li><li>\u00abFeedforward. El \u00e1ngel de la historia\u00bb. Dietz, Steve; Paul, Christiane (Edit.) (2009). Edita LABoral Centro de Arte y Creaci\u00f3n Industrial. Gij\u00f3n. AS-5417\/09. ISBN. 978-84-613-5379-8. \u00c1mbito Internacional. Idioma castellano e ingl\u00e9s.<\/li><li>\u00abPremios de Creaci\u00f3n Art\u00edstica de la Comunidad de Madrid 03\/08\u00bb. (2009). Edita Comunidad de Madrid. Consejer\u00eda de Cultura y Turismo. Direcci\u00f3n General de Archivos, Museos y Bibliotecas. Madrid, 2009. Paginas. 152-157. M-3536-2009. ISBN. 978844513192-3. \u00c1mbito Internacional. Idioma Castellano e ingl\u00e9s.<\/li><li>\u00abCanariasmediafest08\u00bb. (2008). Edita Consejer\u00eda de Cultura y Patrimonio Hist\u00f3rico del Cabildo de Gran Canaria. Las Palmas de Gran Canaria. GC776-2008. ISBN: 978-84-8103-571-1. \u00c1mbito Internacional. Idioma Castellano e ingl\u00e9s.<\/li><li>\u201cIn\u00e9ditos 2008&#8243;. (2008). Edita Obra social Caja Madrid. Madrid. M-29291-2008. ISBN. 978-84-96917-27-9. \u00c1mbito Internacional. Idioma Castellano e ingl\u00e9s.<\/li><li>\u201cM\u00e9moires 1967 &#8211; 2007: Cronistorie d&#8217;arte contemporanea &#8211; Sala1\u201d. (2008). Edita Gangemi Editore, Roma. ISBN 978-88-492-6482-1. \u00c1mbito Internacional. Idioma italiano.<\/li><li>\u201cII Bienal de Artes Pl\u00e1sticas y Visuales Villa de M\u00f3stoles 2007\u201d. (2007). Edita Ayuntamiento de M\u00f3stoles, Comunidad de Madrid. M\u00f3stoles. M-56276-2007. \u00c1mbito Nacional. Idioma Castellano.<\/li><li>\u00abMemorie ri-trovate\u00bb. (2007). Edita Galleria Sala 1 (Roma) &amp; Real Academia de Espa\u00f1a en Roma. Publicaci\u00f3n (N\u00ba100) de Sala1, Roma &amp; Universit\u00e1 di Roma \u00abLa Sapienza\u00bb. Giulia Nobili. Roma. \u00c1mbito Internacional. Idioma castellano e italiano.<\/li><li>\u00abRoma ancora \u00e9 Roma\u00bb. (2007). Edita Real Academia de Espa\u00f1a en Roma &amp; Chromamedia S.L. Roma. \u00c1mbito Internacional. Idioma Castellano e italiano.<\/li><li>\u00abExposici\u00f3n Internacional de Artes Pl\u00e1sticas de Valdepe\u00f1as (68)\u00bb. (2007). Edita Concejal\u00eda de Cultura del Ayuntamiento de Valdepe\u00f1as &amp; Obra Social Caja Madrid. Madrid. CR-646-2007. ISBN: 978-84-87229-39-8. \u00c1mbito Nacional. Idioma Castellano.<\/li><li>\u00abGeneraci\u00f3n 2007. Premios y Becas de Arte Caja Madrid\u00bb. (2007). Edita Obra social Caja Madrid. Madrid. M-50.941-2006. ISBN. 84-95321-93-9 \/ 978-84-95321-93-0. \u00c1mbito Internacional. Idioma castellano e ingl\u00e9s.<\/li><li>\u00abKaldarte 06. Proyecto de arte p\u00fablico\u00bb. (2006). Edita Conseller\u00eda de Cultura e Deporte. Xunta de Galicia. Caldas del Reis, 2006. C-1717-06. \u00c1mbito Nacional. Idioma castellano y gallego.<\/li><li>\u00abNaturalmente artificial. El arte espa\u00f1ol y la naturaleza (1968-2006)\u201d. Parre\u00f1o, Jose Mar\u00eda; Matos, Gregoria (edits.). (2006). Edita Museo de Arte Contempor\u00e1neo Esteban Vicente. Segovia, 2006. M-35694-2006. ISBN. 84-933460-9-8. \u00c1mbito Internacional. Idioma castellano e ingl\u00e9s.<\/li><li>\u00abTangentes al paisaje\u00bb. De Francisco, Jose M\u00aa. (2006). Edita Fundaci\u00f3n Rodr\u00edguez Acosta y el Excm. Ayuntamiento de Granada. Granada. \u00c1mbito Nacional. Idioma castellano. [Cat\u00e1logo digital-CDROM]<\/li><li>\u201cRegistros imposibles: El mal de archivo\u201d. Rubira, Sergio; Herr\u00e1ez, Beatriz. Conserjer\u00eda de Cultura y Deportes. Comunidad de Madrid. Madrid, 2006. ISBN: 84-451-2835-3. \u00c1mbito Nacional. Idioma castellano.<\/li><li>\u00abArtEsles 2. Encuentro de Arte y Naturaleza\u00bb. Zamanillo, Fernando. (2005). Edita Ayuntamiento de Santa Mar\u00eda de Cay\u00f3n &amp; Consejer\u00eda de Cultura, Turismo y Deporte del Gobierno de Cantabria. Santander. SA-864-2005. \u00c1mbito Nacional. Idioma castellano.<\/li><li>\u00abB\u00e1rbara Flux\u00e1: \u2026Las cosas en su Lugar\u00bb. Texto cr\u00edtico: Jose Mar\u00edn Medina. Edita Galer\u00eda Artificial S.L. Madrid, 2005. \u00c1mbito Internacional. Idioma: castellano e ingl\u00e9s.<\/li><li>\u00abResistentes al agua\u00bb. (2005). Edita Asociaci\u00f3n Feedback para la Mediaci\u00f3n Cultural &amp; Aquagest. Santiago de Compostela. C-2976-2005. ISBN. 84-609-8679-9. \u00c1mbito Nacional. Idioma castellano y gallego.<\/li><li>\u00abXIV Certamen de Dibujo Gregorio Prieto\u00bb. (2004). Edita Fundaci\u00f3n Gregorio Prieto. Ciudad Real, 2004. CR.559-2004. ISBN. 84-923459-7-7. \u00c1mbito Nacional. Idioma castellano.<\/li><li>\u00abCircuitos XVI de Artes Pl\u00e1sticas\u00bb. (2004). Edita Comunidad de Madrid. Madrid. M-47346-2004. \u00c1mbito Internacional. Idioma castellano e ingl\u00e9s.<\/li><li>\u00abElena del Rivero\u00bb. Panera, Javier (edit.). (2002). Edita Ediciones Universidad de Salamanca. Salamanca. S.1.768-2002. ISBN. 84-7800-770-5. \u00c1mbito Internacional. Idioma castellano e ingl\u00e9s.<\/li><li>\u00abCertamen J\u00f3venes Creadores\u00bb. (2002). Edita Ayuntamiento de Madrid. Concejal\u00eda de Cultura, Educaci\u00f3n, Juventud y Deporte. Madrid. M-36559-2002. \u00c1mbito Nacional. Idioma castellano.<\/li><li>\u00abByS. B\u00e1rbara Flux\u00e1\u00bb. Texto cr\u00edtico: Jes\u00fas Rodr\u00edguez. Edita Comunidad de Madrid. Consejer\u00eda de Educaci\u00f3n. Direcci\u00f3n General de Juventud. Madrid, 2002. \u00c1mbito Auton\u00f3mico. Idioma: castellano.<\/li><li>\u00abAdquisiciones, donaciones y otros (1998-2000)\u00bb. P\u00e9rez, Antonio (edit.). (2001). Edita Fundaci\u00f3n Antonio P\u00e9rez &amp; Diputaci\u00f3n Provincial de Cuenca. Cuenca, 2001. Dep\u00f3sito Legal: CU-149-2001. \u00c1mbito Nacional. Idioma castellano.<\/li><li>\u201cLa distancia y la huella. Para una antropolog\u00eda de la mirada\u201d. Fern\u00e1ndez-Polanco, Aurora; Larra\u00f1aga, Josu (edit.). (2001) Edita Diputaci\u00f3n Provincial de Cuenca &amp; UIMP. Cuenca. ISBN: 84-95192-60-8. \u00c1mbito Internacional. Idioma castellano e ingl\u00e9s.<\/li><li>\u00abV Certamen Unicaja de Artes Pl\u00e1sticas\u00bb. (2000). Edita Fundaci\u00f3n Unicaja de Andaluc\u00eda, M\u00e1laga, 2000. \u00c1mbito Nacional. Idioma castellano.<\/li><li>\u00abVII Concurso de Fotograf\u00eda realizado por Mujeres &#8211; Rosa Pardo\u00bb. (1998). Edita Plataforma Aut\u00f3noma Feminista &amp; Ministerio de Trabajo y Asuntos Sociales Instituto de la Mujer. Madrid. Dep\u00f3sito Legal: M-6.984-1998. \u00c1mbito Nacional. Idioma castellano.<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1514\" aria-expanded=\"false\">MEDIOS<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1514\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1514\" tabindex=\"0\" hidden=\"hidden\"><p><strong>Cr\u00edticas exposiciones individuales <\/strong>(pendiente de actualizaci\u00f3n)<strong>:<\/strong><\/p><ul><li>La Opini\u00f3n (Zamora). Ram\u00f3n M. Carnero. \u00abAlmeida presenta Argusino paisaje cultural sumergido\u00bb. 25\/8\/2012. P\u00e1g. 28.<\/li><li>El Mundo (Cantabria). Irene Sainz. \u00abB\u00e1rbara Flux\u00e1 analiza con precisi\u00f3n cient\u00edfica la huella del ser humano\u00bb. 28\/5\/2011. P\u00e1g. 27.<\/li><li>El Diario Monta\u00f1\u00e9s (Cantabria). Guillermo Balbona. \u00abCartograf\u00eda de la memoria\u00bb. 28\/5\/2012. P\u00e1g. 49<\/li><li>Alerta (Cantabria). S\/N. B\u00e1rbara Flux\u00e1 explora la capacidad del ser humano para crear paisajes\u00bb. 28\/5\/2012. P\u00e1g. 56<\/li><li>La Nueva Espa\u00f1a (Asturias). Elisa Campo. \u00abValey, apertura del nuevo centro cultural de Castrill\u00f3n\u00bb. 23\/1\/2011. P\u00e1g.\u00a0<\/li><li>Informazione.it (Nacional, Italia). Debora Agostini. \u00abVittoria dell\u00b4artista Barbara Fluxa del Navarino Art Award\u00bb. 05\/07\/2011.<\/li><li>Actualit\u00e9 Gr\u00e8ce (Nacional, Grecia). \u00abLe Navarino Natura Hall r\u00e9compense Barbara Fluxa\u00bb. 05\/07\/2011.<\/li><li>La Nueva Espa\u00f1a (Asturias). V.D\u00edaz Pe\u00f1as. \u00abDel Nal\u00f3n a una exposici\u00f3n en la Laboral\u00bb. 28\/7\/2009. P\u00e1g. 10<\/li><li>Televisi\u00f3n auton\u00f3mica TPA (Asturias). Reportaje TV. \u00abB\u00e1rbara Flux\u00e1. El proceso como paradigma\u00bb. 20\/08\/2009.<\/li><li>Tendencias del mercado del arte (Nacional). Pepe Mar\u00edn Medina. \u00abEl futuro es suyo\u00bb. Marzo\/2009. P\u00e1g. 30<\/li><li>El Pa\u00eds (Nacional). Sol Alonso. \u00abSoy una artista sin formato\u00bb. 21\/3\/2008. P\u00e1g. Contraportada del peri\u00f3dico.<\/li><li>MU (Revista Nacional). Luc\u00eda P\u00e9rez. \u00abTestimonios futuros\u00bb. Febrero\/2008. P\u00e1g. 30.<\/li><li>Revista de Arte &#8211; Logopress (Nacional). Mar\u00eda Jes\u00fas Burgue\u00f1o. \u00abTestimonios futuros de B\u00e1rbara Flux\u00e1\u00bb. Revista digital, 2011.<\/li><li>El Cultural. El Mundo (Suplemento Nacional). Diego Quintana. \u00abEl futuro ya es del reciclaje\u00bb. 30\/10\/2008.<br \/>P\u00e1g. 49<\/li><li>Roma Eventi (Roma). Lucio Filipponio. \u00bb Flux\u00e1: Un Grand tour senza lieto fine\u00bb. 21\/5\/2007. P\u00e1g. 23<\/li><li>La voz de Galicia (Galicia). Camilo Franco. \u00abEpifan\u00eda de un seat 127\u00bb. 3\/6\/2006. P\u00e1g. 13<\/li><li>El Correo Gallego (Galicia). Rom\u00e1n Pad\u00edn. \u00abM\u00fasica y Seat 127\u00bb. 25\/6\/2006. P\u00e1g. 21<\/li><li>El Cultural. El Mundo (Suplemento Nacional). Javier Hontoria. \u00abB\u00e1rbara Flux\u00e1\u00bb. 31\/3\/2005. P\u00e1g. 32<\/li><li>Blanco y Negro Cultural ABC (Suplemento Nacional). Miguel Cereceda. \u00abTestimonios de una civilizaci\u00f3n perdida\u00bb. 2\/4\/2005. P\u00e1g. 30<\/li><li>El Pa\u00eds de las Tentaciones (Suplemento Nacional). Redacci\u00f3n. \u00abB\u00e1rbara Flux\u00e1\u00bb. 24\/3\/2005. P\u00e1g. 23.<\/li><li>D00 (Revista Nacional). \u00abTendencias para ver\u00bb. Abril\/2005. P\u00e1g. 10<br \/>ABC. (Nacional). Redacci\u00f3n. \u00abGaler\u00eda Artificial. B\u00e1rbara Flux\u00e1\u00bb. 25\/3\/2005. P\u00e1g. 57<\/li><li>La Voz de Avil\u00e9s (Asturias). B\u00e1rbara Mor\u00e1n. \u00abLa artista B\u00e1rbara Flux\u00e1 elige el Nal\u00f3n\u00bb. 28\/10\/2005.<\/li><li>Europa (Revista Internacional). Redacci\u00f3n. \u00abPara\u00edso natural\u00bb. P\u00e1g. 98<br \/>Salir (Revista Nacional). S.T. \u00abC\u00f3mo quema La arena\u00bb. Agosto\/2004. P\u00e1g. 61. 2002<\/li><li>EP(S). El Pa\u00eds Semanal (Suplemento Nacional). \u00abArte en la cocina\u00bb. 2\/6\/2002. P\u00e1g. 120-122<\/li><li>El Mundo (Nacional). Marta Belver. \u00abDe profesi\u00f3n concursante\u00bb. 15\/3\/2004. P\u00e1g. 5<\/li><li>ABC Cultural (Suplemento Nacional). Victor Zarza. \u00abNuevas sendas\u00bb. 9\/3\/2002. P\u00e1g. 31<\/li><\/ul><p>\u00a0<\/p><p><strong>Cr\u00edticas exposiciones colectivas <\/strong>(pendiente de actualizaci\u00f3n)<strong>:<\/strong><\/p><ul><li>EFEVerde. \u201cUn centenar de expertos conectar\u00e1n humanidades y medioambiente\u201d. 3\/7\/2018. Diario Libre d\u00b4Arag\u00f3n. \u201cDespoblados, una muestra audiovisual sobre despoblaci\u00f3n\u201d. 11\/12\/2018.<\/li><li>M. Arte y Cultura Visual. Roc\u00edo de la Villa. \u201cOpen Studio Madrid 2018\u201d. 16\/2\/2018.<\/li><li>SPAIN arts &amp; culture&#8217;s. Blanca de la Torre. \u201cArt Trenches in the Water Wars\u201d. Spring \/ Summer 2019. P\u00e1g. 8\/9.<\/li><li>El Cultural de El Mundo (Nacional). \u201cLos \u00faltimos Leonardos del siglo XXI\u201d. 21\/09\/2017.<\/li><li>TVE La 2 (Programa Metr\u00f3polis). Susana Blas. Reportaje \u201cHybris\u201d. 1\/11\/2017.<\/li><li>El Cultural de El Mundo (Nacional). Jos\u00e9 Mar\u00eda Parre\u00f1o. \u201cHybris, la salud de nuestro planeta\u201d. 30\/6\/2017. P\u00e1g. 28\/29.<\/li><li>ABC Cultural (Nacional). Noem\u00ed M\u00e9ndez. \u201cEn un bosque de propuestas\u201d. 8\/8\/2017. P\u00e1g. 18<\/li><li>El Cultural de El Mundo (Nacional). Saioa Camarzana. \u201cEl arte combate el cambio clim\u00e1tico\u201d. 17\/10\/2017.<\/li><li>EFE VERDE (Agencia Nacional). Marina Segura Ramos. \u00abCoser la tierra con cuerdas\u00bb. 10\/05\/2015.<\/li><li>TVE La 2 (Programa La aventura del saber). Reportaje \u00abAprendiendo de las Cuencas\u00bb. 10\/02\/2014.<\/li><li>El Pa\u00eds Babelia (Nacional). Chus Mart\u00ednez Dom\u00ednguez. \u00abArtefactos de memoria\u00bb. 14\/12\/2013. P\u00e1g. 16.<\/li><li>El Comercio &#8211; La Voz de Avil\u00e9s (Asturias). \u00c1ngel A. Rodr\u00edguez. \u00abMutaciones del paisaje\u00bb. 05\/10\/2013. P\u00e1g. 6.<\/li><li>La Nueva Espa\u00f1a (Asturias). P. Rubiera. \u00abLa potencia paisaj\u00edstica de las Cuencas\u00bb. 28.09.13. P\u00e1g. 61.<\/li><li>La Nueva Espa\u00f1a (Asturias). P. Casta\u00f1o. \u00abEl paisaje cultural de las Cuencas protagonizar\u00e1 una exposici\u00f3n en Oviedo y en la Laboral de Gij\u00f3n\u00bb. 06\/05\/2013. P\u00e1g. 15.<\/li><li>La Nueva Espa\u00f1a-Siglo XXI (Asturias). Jos\u00e9 L. Arguelles. \u00abHacia carbolandia\u00bb. 06\/10\/2013. P\u00e1g. 6\/7.<\/li><li>El Comercio La Voz de Avil\u00e9s (Asturias). Pach\u00e9 Merayo. \u00abGij\u00f3n dibuja una noche interminable\u00bb. 28\/08\/2013.P\u00e1g. 41.<\/li><li>El Cultural de El Mundo (Nacional). Bea Espejo. \u00abFernando Garc\u00eda Dory &#8211; Campo Adentro\u00bb. 22\/03\/2013. P\u00e1g. 12\/13.<\/li><li>TVE La 2 (Programa Metr\u00f3polis). Reportaje \u00abCampo Adentro\u00bb. Fecha: 02\/09\/2013.<\/li><li>El Pa\u00eds (Nacional). Roc\u00edo Huerta. \u00abLa vida de pueblo inspira arte joven\u00bb. 21\/5\/2012. P\u00e1g. 53<\/li><li>Vivir Extremadura (Revista Ext.). M. A. Fern\u00e1ndez. \u00abTrasterminancia. Un viaje a huellas pret\u00e9ritas\u00bb. 10\/2012. P\u00e1g. 4-8.<\/li><li>El Mundo. El Cultural (Nacional). Bea Espejo. \u00abArt show, curators \/ network\u00bb. 18\/11\/2011.<\/li><li>La Nueva Espa\u00f1a (Asturias). Elisa Campo. \u00abB\u00e1rbara Flux\u00e1: Entrevista\u00bb. 23\/01\/2011. P\u00e1g. 6.<\/li><li>La Nueva Espa\u00f1a (Asturias). In\u00e9s Montes. \u00bb Laboral y Valey, alianza por amor al arte\u00bb. 12\/01\/2011. P\u00e1g. 9.<\/li><li>La Nueva Espa\u00f1a (Asturias). In\u00e9s Montes. \u00abLa muestra de Laboral \u00abRastros e indicios\u00bb inaugura Valey\u00bb. 29\/09\/10. P\u00e1g. 8.<\/li><li>ABC de las Artes ABCD (Nacional). Jos\u00e9 Manuel Costa. \u00abTecnolog\u00eda transparente\u00bb. 21\/11\/2009. P\u00e1g. 36<\/li><li>El Pa\u00eds (Nacional). Roberta Bosco. \u00abDe las ruinas del pasado a la tormenta del futuro\u00bb. 05\/12\/2009. P\u00e1g. 45.<\/li><li>El Mundo. El Cultural (Nacional). Victor del R\u00edo. \u00abEl artista como profeta\u00bb. 03\/10\/2009. P\u00e1g. 22.<\/li><li>El Mundo. El Cultural (Nacional). Jos\u00e9 Mar\u00edn-Medina. \u00ab5&#215;5 La instalaci\u00f3n en Espa\u00f1a\u00bb. 26\/6\/2009. P\u00e1g. 28<\/li><li>La Nueva Espa\u00f1a (Asturias). J.C. Gea. \u00abEsculpir (para) este tiempo\u00bb. 12\/4\/2009. P\u00e1g. 14.<\/li><li>Inside The Living Art Magazine (Revista Nacional-Italia). Claudia Quintieri. \u00abArriba Espa\u00f1a\u00bb. 31\/3\/2007. P\u00e1g. 50<\/li><li>EC (Revista Nacional-Italia). \u00abTiber hawks. Artisti residenti alle accademie straniere di Roma\u00bb. \/6\/2007. P\u00e1g. 21-22<\/li><li>MACRO Magazine. Redacci\u00f3n. \u00abTrying to land 2\u00bb. 4\/7\/2007. P\u00e1g. 33<br \/>EPolis (Nacional. Italia). Redacci\u00f3n. \u00abL\u00e1rte alla Real Academia Spagnola\u00bb. 25\/6\/2007. P\u00e1g. 11<\/li><li>El Cultural. El Mundo (Suplemento Nacional). Elena Vozmediano. \u00abUn trampol\u00edn incuestionable\u00bb. 19\/1\/2007.<\/li><li>El Cultural. El Mundo (Suplemento Nacional). EFE. \u00abLa Generaci\u00f3n 2007 llega a la Casa Encendida\u00bb. 25\/1\/2007.<\/li><li>La Raz\u00f3n (Nacional). Goyo Garc\u00eda. \u00bb Un laboratorio de arte emergente\u00bb. 17\/2\/2007.<\/li><li>Norte-Castilla (Segovia). M.A.L. \u00abUn ejemplo de arte vivo\u00bb. 19\/7\/2007.<br \/>El Cultural. El Mundo (Suplemento Nacional). Jos\u00e9 Mar\u00edn Medina. \u00abArte-naturaleza, desde un conceptualismo de provincias\u00bb. 05\/10\/2006.<\/li><li>El Norte de Castilla (Segovia). M. A. L\u00f3pez. \u00abNaturalmente artificial inicia el curso en Segovia\u00bb. 20\/09\/2006. P\u00e1g. 32.<\/li><li>Diario de Arousa (Galicia). Mercedes Angueira. \u00abLa revoluci\u00f3n lleg\u00f3 a Caldas\u00bb. 9\/7\/2006.<\/li><li>La Voz de Galicia (Pontevedra). Cristina Barral. \u00abKaldarte rompe la monoton\u00eda con sus intervenciones \u00abrevolucionarias\u00bb. 08\/09\/2006. P\u00e1g. 23.<br \/>ABC de Las Artes (Nacional). Javier Montes. \u00bb El proceso va por dentro\u00bb. 25\/02\/2006. P\u00e1g. 25.<\/li><li>Ideal (Granada). Br\u00edgida Gallego-Co\u00edn. \u00abUna mirada al paisaje\u00bb. 9\/3\/2006. P\u00e1g. 56<\/li><li>Granada Hoy (Suplemento Actual. Granada). Blanca Dur\u00e1n. \u00abMiradas tecnol\u00f3gicas al paisaje\u00bb. 9\/3\/2006. P\u00e1g. 3<\/li><li>La Opini\u00f3n de Granada (Granada). Luis Arronte Ygartua. \u00abLos paisajes se hacen futuristas\u00bb. 9\/3\/2006. P\u00e1g. 27.<\/li><li>El Punto de Las Artes (Nacional). Redacci\u00f3n. \u00abTangentes al paisaje\u00bb. 24\/3\/2006. P\u00e1g. 22<\/li><li>El Mundo (Cantabria). Guillermo Balbona. \u00abArtesles crece en dimensiones e identidad\u00bb. 13\/8\/2005. P\u00e1g. 99.<\/li><li>El Diario Monta\u00f1\u00e9s (Cantabria). Guillermo Balbona. \u00abMundos diversos\u00bb. 29\/5\/2005. P\u00e1g. 78.<\/li><li>El Diario Monta\u00f1\u00e9s (Cantabria). Guillermo Balbona. \u00abArtesles afronta desde el pr\u00f3ximo d\u00eda 16, una ambiciosa y activa edici\u00f3n\u00bb. 26\/6\/2005. P\u00e1g. 85.<\/li><li>Alerta (Cantabria). Lara Coss\u00edo. \u00abArtesles celebra su tercera edici\u00f3n con nuevos espacios y may\u00f3r n\u00famero de artistas\u00bb. 15\/7\/2005. P\u00e1g. 53.<\/li><li>El Diario Monta\u00f1\u00e9s (Cantabria). Guillermo Balbona. \u00abArtesles inaugura ma\u00f1ana su edici\u00f3n m\u00e1s ambiciosa\u00bb. 15\/7\/2005. P\u00e1g. 85.<\/li><li>El Mundo (Nacional). Marcos-Ricardo Barnatan. \u00abArte rural\u00bb. 21\/7\/2005. P\u00e1g. 51.<\/li><li>El Diario Monta\u00f1\u00e9s (Cantabria). M\u00f3nica Alvarez Careaga. \u00abEl tercer encuentro de Artesles entra en su recta final\u00bb. 25\/7\/2005. P\u00e1g. 83.<\/li><li>El Diario Monta\u00f1\u00e9s (Cantabria). Patricia Domingo. \u00ab\u00c9xito de Esles en su apuesta por integrar arte y paisaje\u00bb. 25\/8\/2005. P\u00e1g. 94.<\/li><li>El Diario Monta\u00f1\u00e9s (Cantabria). Guillermo Balbona. \u00abEl encuentro de Esles afronta desde hoy su tercera edici\u00f3n\u00bb. 16\/7\/2005. P\u00e1g. 93.<\/li><li>El Diario Monta\u00f1\u00e9s (Cantabria). Guillermo Balbona. \u00abArtesles funde arte y paisaje a trav\u00e9s de una veintena de espacios\u00bb. 17\/7\/2005. P\u00e1g. 82.<\/li><li>El Peri\u00f3dico (Extremadura). Carlos Ortiz. \u00abC\u00e1ceres 2016\u00bb. 5\/4\/2005.<\/li><li>Hoy (Extremadura). Cristina N\u00fa\u00f1ez. \u00abEl arte entre bodegones y desechos\u00bb. 7\/4\/2005.<\/li><li>Blanco y Negro Cultural ABC (Nacional). Javier Montes. \u00abLargos circuitos\u00bb. 15\/1\/2005. P\u00e1g. 27.<\/li><li>El Cultural. El Mundo (Suplemento Nacional). Javier Hontoria. \u00abDiez promesas de Circuitos\u00bb. 22\/2\/2004. P\u00e1g. 29<\/li><li>El Cultural. El Mundo (Suplemento Nacional). EM. \u00abPremio de Fotograf\u00eda de El cultural\u00bb. 22\/7\/2004. P\u00e1g. 37.<\/li><li>El Pa\u00eds de Las Tentaciones (Suplemento Nacional). Mario Canal. \u00abLa cara oculta de PhotoEspa\u00f1a\u00bb. 7\/6\/2002. P\u00e1g. 8.<\/li><li>Ubicarte (Nacional). Ana Marta de Catalina. \u00abRina Bouwen cambia su espacio\u00bb. 22\/6\/2002.<\/li><li>El Pa\u00eds (Nacional). ED. \u00ab28 Galer\u00edas dan paso a nuevos valores en el Festival Off de PHotoEspa\u00f1a\u00bb. 8\/7\/2002.<\/li><li>El Pa\u00eds de Las Tentaciones (Suplemento Nacional). Redacci\u00f3n. \u00abB y S\u00bb. 8\/3\/2002. P\u00e1g. 38<\/li><li>El Mundo. La Luna del S.XXI (Nacional). P. Gil. \u00abPorqu\u00e9 la movida se ha trasladado a Barcelona\u00bb. 20\/6\/2002. P\u00e1g. 4, 7.<\/li><li>El D\u00eda (Cuenca). N. Lozano. \u00abLa uni\u00f3n del arte y la antropolog\u00eda\u00bb. 2\/2\/2001. P\u00e1g. 15.<\/li><li>20 Minutos (Madrid). \u00abUna lata de muestra en Fuencarral\u00bb. 19\/10\/2001. P\u00e1g.24, 32.<\/li><li>El Mundo (Madrid). Sara S\u00e1ez. \u00abArte firmado, sellado y entregado\u00bb. 9\/10\/2000. P\u00e1g. 22.<\/li><li>El Mundo (Madrid). Carlos \u00c1lvarez. \u00abCorreo especial\u00bb. 6\/10\/2000. P\u00e1g. 44.<\/li><li>El Planeta (Nacional). Mercedes Replinger. \u00abArte Postal\u00bb. Octubre\/2000. P\u00e1g. 24, 25.<\/li><li>El Planeta (Nacional). Borja Flandes. \u00abMi buz\u00f3n es arty\u00bb. Septiembre\/2000. P\u00e1g. 24, 25.<\/li><li>La Opini\u00f3n de M\u00e1laga (M\u00e1laga). Natacha M. Laakmann. \u00abCreadores de arte visual del futuro\u00bb. 18\/12\/1999.<\/li><li>Sur (M\u00e1laga). Rafael Cort\u00e9s. \u00abLa crisis del sujeto\u00bb. 18\/12\/1999. P\u00e1g. 73.<\/li><li>El D\u00eda (Cuenca). M.J.S. \u00abEl arte de los 90, objeto de an\u00e1lisis\u00bb. 22\/9\/98. P\u00e1g. 9.<\/li><li>El Punto de Las Artes (Nacional). PA. \u00abAlumnos de Pintura de la Facultad de Bellas artes\u00bb. 27\/7\/1997. P\u00e1g. 7.<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6b45c63 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6b45c63\" data-element_type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1d46a55\" data-id=\"1d46a55\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5592b09 elementor-widget elementor-widget-writing-effect-headline\" data-id=\"5592b09\" data-element_type=\"widget\" data-widget_type=\"writing-effect-headline.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"a13ree-written-headline\" data-speed=\"10\" data-loop=\"0\">\r\n\t\t\t\r\n\t\t\t\t\t\t\t<span class=\"written-lines elementor-screen-only\">TEXTOS<\/span>\r\n\t\t\t\r\n\t\t\t\t\t<\/h3>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-561675e elementor-widget elementor-widget-text-editor\" data-id=\"561675e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p style=\"text-align: right;\"><span style=\"color: #000000;\">(selecci\u00f3n)<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ac36573 eael-fg-hoverer-content-align-left elementor-widget elementor-widget-eael-filterable-gallery\" data-id=\"ac36573\" data-element_type=\"widget\" data-settings=\"{&quot;photo_gallery&quot;:&quot;yes&quot;,&quot;pagination&quot;:&quot;false&quot;}\" data-widget_type=\"eael-filterable-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style id=\"eael-fg-inline-css-ac36573\">@media only screen and (max-width: 2399px) {\n\t\t\t\t\t.elementor-element.elementor-element-ac36573 .eael-filterable-gallery-item-wrap {\n\t\t\t\t\t        width: 25%;\n\t\t\t\t\t    }\n\t\t\t\t\t}@media only screen and (max-width: 1024px) {\n\t\t\t\t\t.elementor-element.elementor-element-ac36573  .eael-filterable-gallery-item-wrap {\n\t\t\t\t\t        width: 50%;\n\t\t\t\t\t    }\n\t\t\t\t\t}@media only screen and (max-width: 767px) {\n\t\t\t\t\t.elementor-element.elementor-element-ac36573  .eael-filterable-gallery-item-wrap {\n\t\t\t\t\t        width: 100%;\n\t\t\t\t\t    }\n\t\t\t\t\t}<\/style>        <div id=\"eael-filter-gallery-wrapper-ac36573\" class=\"eael-filter-gallery-wrapper\" data-layout-mode=\"hoverer\" data-breakpoints=\"{&quot;mobile&quot;:{&quot;label&quot;:&quot;Mobile Portrait&quot;,&quot;value&quot;:767,&quot;default_value&quot;:767,&quot;direction&quot;:&quot;max&quot;,&quot;is_enabled&quot;:true},&quot;mobile_extra&quot;:{&quot;label&quot;:&quot;Mobile Landscape&quot;,&quot;value&quot;:880,&quot;default_value&quot;:880,&quot;direction&quot;:&quot;max&quot;,&quot;is_enabled&quot;:false},&quot;tablet&quot;:{&quot;label&quot;:&quot;Tablet Portrait&quot;,&quot;value&quot;:1024,&quot;default_value&quot;:1024,&quot;direction&quot;:&quot;max&quot;,&quot;is_enabled&quot;:true},&quot;tablet_extra&quot;:{&quot;label&quot;:&quot;Tablet 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data-settings=\"{&quot;grid_style&quot;:&quot;grid&quot;,&quot;popup&quot;:&quot;none&quot;,&quot;duration&quot;:500,&quot;gallery_enabled&quot;:&quot;yes&quot;,&quot;video_gallery_yt_privacy&quot;:&quot;&quot;,&quot;control_all_text&quot;:null,&quot;post_id&quot;:11743,&quot;widget_id&quot;:&quot;ac36573&quot;}\" data-search-all=\"\" data-gallery-items=\"[&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen1.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen1.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen1.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E \u201cB\u00e1rbara Flux\u00e1. Capital natural: El cap\u00edtulo del mar (NaCl+H2O)\u201d. \\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita CENDEAC, Instituto de Industrias Culturales y Artes de la Regi\u00f3n de Murcia. Textos de: Flux\u00e1, B. \\u0026amp; Nieto, E.; Guardiola, J.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen2.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen2.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen2.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EFlux\u00e1, B\u00e1rbara (2020a). \u201cTecnonaturalezas confinadas versus coexistencias futuras\u201d, \\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003ELarra\u00f1aga, Josu; Lupi\u00f3n, Daniel (Eds.) Confinad+. Arte y tecnosfera II. Edita Brumaria. Colecci\u00f3n Uno, N\u00ba54, Madrid\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen3.png\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen3.png\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen3.png\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EFlux\u00e1 \u00c1lvarez-Miranda, B.; Gonz\u00e1lez Montelongo, C. (2022). Di\u00e1sporas vegetales: un imaginario creativo del s\u00edndrome de dispersi\u00f3n. \\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita \\u003Cem\\u003ETurista Interior. Revista de procesos de isla. Tenerife, Islas Canarias. Vol. 7. \\u003C\\\/em\\u003E\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen4.png\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen4.png\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen4.png\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EFlux\u00e1, B\u00e1rbara (2019b). \u201cECO\\u0026amp;ART\\u0026amp;TECH. Pr\u00e1cticas art\u00edsticas eficaces en la era del Antropoceno\u201d \\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EAlbelda, J; Sgaramella, Ch.; Parre\u00f1o, J.M. (2019). \\u003Cem\\u003EImaginar la transici\u00f3n hacia sociedades sostenibles. \\u003C\\\/em\\u003EValencia: Universitat Polit\u00e9cnica de Val\u00e8ncia.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/PUBLICACION-CENDEAC.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/PUBLICACION-CENDEAC.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/PUBLICACION-CENDEAC.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\u201cUn viaje de exploraci\u00f3n art\u00edstica a trav\u00e9s de las esferas\u201d\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EMesa del castillo, Miguel; Nieto, Enrique (Eds.) (2020). Post-Arcadia. Editorial CENDEAC, Murcia.\u00a0\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Publicacion-capitulo-CONSTRUCCION-Y-DESTRUCCION-DEL-TERRITORIO-UNED.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Publicacion-capitulo-CONSTRUCCION-Y-DESTRUCCION-DEL-TERRITORIO-UNED.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Publicacion-capitulo-CONSTRUCCION-Y-DESTRUCCION-DEL-TERRITORIO-UNED.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003ECap\u00edtulo: \\u0022Destrucci\u00f3n y Construcci\u00f3n del territorio. Memoria de lugares espa\u00f1oles\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EFDEZ. POLANCO, Aurora. \\u0022Proyectos visuales de B\u00e1rbara Flux\u00e1: Interpretaciones del paisaje cultural\\u0022. Editorial Complutense de Madrid. 2009.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-Reclaiming-AchaeographyOK.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-Reclaiming-AchaeographyOK.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-Reclaiming-AchaeographyOK.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003ECap\u00edtulo: \\u0022Reclaiming Archaeology\\u0022.\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003ERUIBAL, Gonzalo: \\u0022Cultural landscape sumerged. B\u00e1rbara Flux\u00e1\\u0022. Edita Routledge (Classics, Archaeology and Museum Studies) Taylor \\u0026amp; Francis Books. 2013, London.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/revista-accesos_prueba-1-1_edited.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/revista-accesos_prueba-1-1_edited.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/revista-accesos_prueba-1-1_edited.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EArt\u00edculo: \\u0022Sobrevolar el lugar equivocado y encontrarlo vac\u00edo\\u0022.\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003E\u00a0Edita \u00ac Accesos. A\u00f1o I, N\u00ba 0, Madrid, 2017.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-FANZINE-EXT.UCM_edited.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-FANZINE-EXT.UCM_edited.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-FANZINE-EXT.UCM_edited.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EEdici\u00f3n Fanzine EXT 09: \\u0022Trabajando en el espacio cultural\\u0022.\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EFLUX\u00c1, B\u00e1rbara. Colecci\u00f3n Fanzine EXT, BLASCO, Selina; INS\u00daA, Lila.(eds.). Edita: Extensi\u00f3n Universitaria de la Facultad \\u0026amp; Vicedecanato de Actividades Culturales de Bellas Artes de la Universidad Complutense de Madrid. 2013, Madrid.\u00a0\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Captura-de-pantalla-2021-02-22-093803.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Captura-de-pantalla-2021-02-22-093803.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Captura-de-pantalla-2021-02-22-093803.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022Documentando paisajes culturales como acci\u00f3n art\u00edstica colaborativa\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita Roots\u00a7Routes. Research on visual cultures. Periodico\u00a0Quadrimestrale. ANNO VII, n. 24, gennaio-aprile 2017. Mil\u00e1n (Italia).\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/Cubierta-54-BRUMARIA-Arte-y-tecnosfera-0-03.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/Cubierta-54-BRUMARIA-Arte-y-tecnosfera-0-03.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/Cubierta-54-BRUMARIA-Arte-y-tecnosfera-0-03.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EArte y Tecnosfera\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003E[Cap\u00edtulo de libro] Flux\u00e1, B (2019. \u201cFuturos paisajes f\u00f3siles\u201d en Larra\u00f1aga, J. (Eds.). \u201cArte y Tecnosfera\u201d. Edita Brumaria.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/Captura-de-pantalla-2022-12-30-132010.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/Captura-de-pantalla-2022-12-30-132010.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/Captura-de-pantalla-2022-12-30-132010.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EIMAGINATIVE ECOLOGIES\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003E[Cap\u00edtulo de libro] Flux\u00e1, B. (2022). \u201cWhen Matter Takes a Position. Post-Anthropocentric Landscapes in Contemporary Art\u201d en Villanueva-Romero, D. (Eds.); Imaginative Ecologies: Inspiring Change through the Humanities. Edita Leiden; Boston: Brill.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;]\" data-init-show=\"25\">\n                <div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen1.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen1.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen1.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\"> \u201cB\u00e1rbara Flux\u00e1. Capital natural: El cap\u00edtulo del mar (NaCl+H2O)\u201d. <\/h5><div class=\"fg-item-content\"><p>Edita CENDEAC, Instituto de Industrias Culturales y Artes de la Regi\u00f3n de Murcia. Textos de: Flux\u00e1, B. &amp; Nieto, E.; Guardiola, J.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen2.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen2.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen2.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Flux\u00e1, B\u00e1rbara (2020a). \u201cTecnonaturalezas confinadas versus coexistencias futuras\u201d, <\/h5><div class=\"fg-item-content\"><p>Larra\u00f1aga, Josu; Lupi\u00f3n, Daniel (Eds.) Confinad+. Arte y tecnosfera II. Edita Brumaria. Colecci\u00f3n Uno, N\u00ba54, Madrid<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen3.png\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen3.png\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen3.png\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Flux\u00e1 \u00c1lvarez-Miranda, B.; Gonz\u00e1lez Montelongo, C. (2022). Di\u00e1sporas vegetales: un imaginario creativo del s\u00edndrome de dispersi\u00f3n. <\/h5><div class=\"fg-item-content\"><p>Edita <em>Turista Interior. Revista de procesos de isla. Tenerife, Islas Canarias. Vol. 7. <\/em><\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen4.png\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen4.png\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen4.png\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Flux\u00e1, B\u00e1rbara (2019b). \u201cECO&amp;ART&amp;TECH. Pr\u00e1cticas art\u00edsticas eficaces en la era del Antropoceno\u201d <\/h5><div class=\"fg-item-content\"><p>Albelda, J; Sgaramella, Ch.; Parre\u00f1o, J.M. (2019). <em>Imaginar la transici\u00f3n hacia sociedades sostenibles. <\/em>Valencia: Universitat Polit\u00e9cnica de Val\u00e8ncia.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/04\/PUBLICACION-CENDEAC.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/04\/PUBLICACION-CENDEAC.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/04\/PUBLICACION-CENDEAC.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\u201cUn viaje de exploraci\u00f3n art\u00edstica a trav\u00e9s de las esferas\u201d<\/h5><div class=\"fg-item-content\"><p>Mesa del castillo, Miguel; Nieto, Enrique (Eds.) (2020). Post-Arcadia. Editorial CENDEAC, Murcia.\u00a0<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/Publicacion-capitulo-CONSTRUCCION-Y-DESTRUCCION-DEL-TERRITORIO-UNED.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/Publicacion-capitulo-CONSTRUCCION-Y-DESTRUCCION-DEL-TERRITORIO-UNED.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/Publicacion-capitulo-CONSTRUCCION-Y-DESTRUCCION-DEL-TERRITORIO-UNED.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Cap\u00edtulo: \"Destrucci\u00f3n y Construcci\u00f3n del territorio. Memoria de lugares espa\u00f1oles\"<\/h5><div class=\"fg-item-content\"><p>FDEZ. POLANCO, Aurora. \"Proyectos visuales de B\u00e1rbara Flux\u00e1: Interpretaciones del paisaje cultural\". Editorial Complutense de Madrid. 2009.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-Reclaiming-AchaeographyOK.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-Reclaiming-AchaeographyOK.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-Reclaiming-AchaeographyOK.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Cap\u00edtulo: \"Reclaiming Archaeology\".<\/h5><div class=\"fg-item-content\"><p>RUIBAL, Gonzalo: \"Cultural landscape sumerged. B\u00e1rbara Flux\u00e1\". Edita Routledge (Classics, Archaeology and Museum Studies) Taylor &amp; Francis Books. 2013, London.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/revista-accesos_prueba-1-1_edited.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/revista-accesos_prueba-1-1_edited.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/revista-accesos_prueba-1-1_edited.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Art\u00edculo: \"Sobrevolar el lugar equivocado y encontrarlo vac\u00edo\".<\/h5><div class=\"fg-item-content\"><p>\u00a0Edita \u00ac Accesos. A\u00f1o I, N\u00ba 0, Madrid, 2017.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-FANZINE-EXT.UCM_edited.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-FANZINE-EXT.UCM_edited.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-FANZINE-EXT.UCM_edited.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Edici\u00f3n Fanzine EXT 09: \"Trabajando en el espacio cultural\".<\/h5><div class=\"fg-item-content\"><p>FLUX\u00c1, B\u00e1rbara. Colecci\u00f3n Fanzine EXT, BLASCO, Selina; INS\u00daA, Lila.(eds.). Edita: Extensi\u00f3n Universitaria de la Facultad &amp; Vicedecanato de Actividades Culturales de Bellas Artes de la Universidad Complutense de Madrid. 2013, Madrid.\u00a0<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Captura-de-pantalla-2021-02-22-093803.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Captura-de-pantalla-2021-02-22-093803.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Captura-de-pantalla-2021-02-22-093803.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"Documentando paisajes culturales como acci\u00f3n art\u00edstica colaborativa\"<\/h5><div class=\"fg-item-content\"><p>Edita Roots\u00a7Routes. Research on visual cultures. Periodico\u00a0Quadrimestrale. ANNO VII, n. 24, gennaio-aprile 2017. Mil\u00e1n (Italia).<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2022\/12\/Cubierta-54-BRUMARIA-Arte-y-tecnosfera-0-03.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2022\/12\/Cubierta-54-BRUMARIA-Arte-y-tecnosfera-0-03.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2022\/12\/Cubierta-54-BRUMARIA-Arte-y-tecnosfera-0-03.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Arte y Tecnosfera<\/h5><div class=\"fg-item-content\"><p>[Cap\u00edtulo de libro] Flux\u00e1, B (2019. \u201cFuturos paisajes f\u00f3siles\u201d en Larra\u00f1aga, J. (Eds.). \u201cArte y Tecnosfera\u201d. Edita Brumaria.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2022\/12\/Captura-de-pantalla-2022-12-30-132010.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2022\/12\/Captura-de-pantalla-2022-12-30-132010.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2022\/12\/Captura-de-pantalla-2022-12-30-132010.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">IMAGINATIVE ECOLOGIES<\/h5><div class=\"fg-item-content\"><p>[Cap\u00edtulo de libro] Flux\u00e1, B. (2022). \u201cWhen Matter Takes a Position. Post-Anthropocentric Landscapes in Contemporary Art\u201d en Villanueva-Romero, D. (Eds.); Imaginative Ecologies: Inspiring Change through the Humanities. Edita Leiden; Boston: Brill.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div>            <\/div>\n            \n                    <\/div>\n        \n        \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-73f0d08 elementor-widget elementor-widget-spacer\" data-id=\"73f0d08\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d694b21 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d694b21\" data-element_type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4907175\" data-id=\"4907175\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-858039d elementor-widget elementor-widget-writing-effect-headline\" data-id=\"858039d\" data-element_type=\"widget\" data-widget_type=\"writing-effect-headline.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"a13ree-written-headline\" data-speed=\"10\" data-loop=\"0\">\r\n\t\t\t\r\n\t\t\t\t\t\t\t<span class=\"written-lines elementor-screen-only\">CAT\u00c1LOGOS & PRENSA<\/span>\r\n\t\t\t\r\n\t\t\t\t\t<\/h3>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1f2f332 elementor-widget elementor-widget-text-editor\" data-id=\"1f2f332\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p style=\"text-align: right;\"><span style=\"color: #000000;\">(selecci\u00f3n)<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-89b48fa eael-fg-hoverer-content-align-left elementor-widget elementor-widget-eael-filterable-gallery\" data-id=\"89b48fa\" data-element_type=\"widget\" data-settings=\"{&quot;photo_gallery&quot;:&quot;yes&quot;,&quot;pagination&quot;:&quot;false&quot;}\" data-widget_type=\"eael-filterable-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style id=\"eael-fg-inline-css-89b48fa\">@media only screen and (max-width: 2399px) {\n\t\t\t\t\t.elementor-element.elementor-element-89b48fa .eael-filterable-gallery-item-wrap {\n\t\t\t\t\t        width: 25%;\n\t\t\t\t\t    }\n\t\t\t\t\t}@media only screen and (max-width: 1024px) {\n\t\t\t\t\t.elementor-element.elementor-element-89b48fa  .eael-filterable-gallery-item-wrap {\n\t\t\t\t\t        width: 50%;\n\t\t\t\t\t    }\n\t\t\t\t\t}@media only screen and (max-width: 767px) {\n\t\t\t\t\t.elementor-element.elementor-element-89b48fa  .eael-filterable-gallery-item-wrap {\n\t\t\t\t\t        width: 100%;\n\t\t\t\t\t    }\n\t\t\t\t\t}<\/style>        <div id=\"eael-filter-gallery-wrapper-89b48fa\" class=\"eael-filter-gallery-wrapper\" data-layout-mode=\"hoverer\" data-breakpoints=\"{&quot;mobile&quot;:{&quot;label&quot;:&quot;Mobile Portrait&quot;,&quot;value&quot;:767,&quot;default_value&quot;:767,&quot;direction&quot;:&quot;max&quot;,&quot;is_enabled&quot;:true},&quot;mobile_extra&quot;:{&quot;label&quot;:&quot;Mobile Landscape&quot;,&quot;value&quot;:880,&quot;default_value&quot;:880,&quot;direction&quot;:&quot;max&quot;,&quot;is_enabled&quot;:false},&quot;tablet&quot;:{&quot;label&quot;:&quot;Tablet Portrait&quot;,&quot;value&quot;:1024,&quot;default_value&quot;:1024,&quot;direction&quot;:&quot;max&quot;,&quot;is_enabled&quot;:true},&quot;tablet_extra&quot;:{&quot;label&quot;:&quot;Tablet Landscape&quot;,&quot;value&quot;:1200,&quot;default_value&quot;:1200,&quot;direction&quot;:&quot;max&quot;,&quot;is_enabled&quot;:false},&quot;laptop&quot;:{&quot;label&quot;:&quot;Laptop&quot;,&quot;value&quot;:1366,&quot;default_value&quot;:1366,&quot;direction&quot;:&quot;max&quot;,&quot;is_enabled&quot;:false},&quot;widescreen&quot;:{&quot;label&quot;:&quot;Widescreen&quot;,&quot;value&quot;:2400,&quot;default_value&quot;:2400,&quot;direction&quot;:&quot;min&quot;,&quot;is_enabled&quot;:false}}\" data-default_control_key=\"0\" data-custom_default_control=\"1\">\n            \n            \n            <div class=\"eael-filter-gallery-container eael-filter-gallery-grid\" data-images-per-page=\"\" data-total-gallery-items=\"20\" data-nomore-item-text=\"\" data-settings=\"{&quot;grid_style&quot;:&quot;grid&quot;,&quot;popup&quot;:&quot;none&quot;,&quot;duration&quot;:500,&quot;gallery_enabled&quot;:&quot;yes&quot;,&quot;video_gallery_yt_privacy&quot;:&quot;&quot;,&quot;control_all_text&quot;:null,&quot;post_id&quot;:11743,&quot;widget_id&quot;:&quot;89b48fa&quot;}\" data-search-all=\"\" data-gallery-items=\"[&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen4.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen4.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen4.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022En Espa\u00f1a. Fotograf\u00eda, encargos, territorios, 1983\u20142009\\u0022. \\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEsparza, J. Ribalta, C. Zelich (eds.)(2021) Edita Fundaci\u00f3n ICO \\u0026amp; RM Verlag.\\u003C\\\/p\\u003E\\n\\u003Cp\\u003E\u00a0\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen3.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen3.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen3.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\u201cLa cosa del pantano\u201d. Guirao, J.; Montcl\u00fas, N. (edits.)(2020). \\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita Fundaci\u00f3n Montemadrid, Madrid.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen2.png\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen2.png\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen2.png\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\u201cBienalSur2021\u201d. Diana Beatriz Wechsler [et al.] (2022)\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita Universidad Nacional de Tres de Febrero, Buenos Aires, Argentina.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen1.png\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen1.png\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Imagen1.png\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\u201cProducir mundo entre redes y mara\u00f1as\u201d B\u00e1rbara Flux\u00e1; Luc\u00eda Loren; Soledad Guti\u00e9rrez (Edits.)(2023).\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003E\u00a0Edita Galer\u00eda de arte Luc\u00eda Mendoza, Madrid. DL.:BA-000648-2023. \u00c1mbito Internacional. Idioma: castellano e ingl\u00e9s.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-naturalmenteOK3.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-naturalmenteOK3.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-naturalmenteOK3.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003ECat. exp. colectiva: \\u0022Naturalmente artificial. El arte espa\u00f1ol y la naturaleza (1968-2006)\u201d\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EPARRE\u00d1O, Jose; MATOS, Grego (eds.). Edita: Museo de Arte Contempor\u00e1neo Esteban Vicente. Segovia, 2006.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-Aprendiendo-de-las-CuencasOk.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-Aprendiendo-de-las-CuencasOk.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-Aprendiendo-de-las-CuencasOk.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EPublicaci\u00f3n de investigaci\u00f3n: \\u0022Aprendiendo de las cuencas\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EL\u00d3PEZ ARRAIZA, Sara; RUIZ ALL\u00c9N, Nacho (et. col.). Edita Sara L\u00f3pez Arraiza; Nacho Ruiz All\u00e9n. 2014, Oviedo.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-ArteEcologia.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-ArteEcologia.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-ArteEcologia.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EReferencia obra en: \\u0022Arte y ecolog\u00eda\\u0022.\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003ERAQUEJO, Tonia; PARRE\u00d1O, Jose Mar\u00eda (eds.)(2015). Aportaci\u00f3n visual obra \\u0022Reconstrucciones arqueol\u00f3gicas\\u0022. Edita Universidad Nacional de Educaci\u00f3n a Distancia. Madrid, 2015.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portra-raer-rotated.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portra-raer-rotated.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portra-raer-rotated.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003ECap\u00edtulo: \\u0022Roma ancora \u00e9 Roma\\u0022.\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita Real Academia de Espa\u00f1a en Roma\u00a0 \\u0026amp; Chromamedia S.L. Roma, 2007. Castellano, Italiano.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Portada-Ineditos-Caja-Madrid_OK.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Portada-Ineditos-Caja-Madrid_OK.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Portada-Ineditos-Caja-Madrid_OK.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003ECat\u00e1logo exposici\u00f3n colectiva: \u201cIn\u00e9ditos 2008\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita Obra social Caja Madrid. Madrid, 2008. M-29291-2008.\u00a0\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-premios-cmOk.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-premios-cmOk.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-premios-cmOk.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022Premios de Creaci\u00f3n Art\u00edstica de la Comunidad de Madrid 03\\\/08\\u0022. \\u0022Testimonios futuros\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita Comunidad de Madrid. Consejer\u00eda de Cultura y Turismo. Direcci\u00f3n General de Archivos, Museos y Bibliotecas. Madrid, 2009.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-Generaciones-Caja-Madrid-2007.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-Generaciones-Caja-Madrid-2007.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-Generaciones-Caja-Madrid-2007.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022Generaci\u00f3n 2007. Premios y Becas de Arte Caja Madrid\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003E\u00a0Edita Obra social Caja Madrid. Madrid, 2007.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-art-ificial.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-art-ificial.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-art-ificial.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022B\u00e1rbara Flux\u00e1. Las cosas en su Lugar\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003ETexto cr\u00edtico: Jose Mar\u00edn Medina. Edita Galer\u00eda Artificial. Madrid, 2005.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-kaldarte_OK.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-kaldarte_OK.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/portada-kaldarte_OK.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022Kaldarte 06. Proyecto de arte p\u00fablico\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita Conseller\u00eda de Cultura e Deporte. Xunta de Galicia. Caldas de Reis, 2006.\u00a0\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-tangentes.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-tangentes.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/portada-tangentes.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EDVD Exposici\u00f3n colectiva: \\u0022Tangentes al paisaje\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EComisario: Chema de Francisco. Edita Fundaci\u00f3n Rodriguez Acosta y el Excm. Ayuntamiento de Granada. Granada, 2006.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-Resistentes-al-agua-rotated.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-Resistentes-al-agua-rotated.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Portada-Resistentes-al-agua-rotated.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003ECat\u00e1logo exposici\u00f3n colectiva: \\u0022Resistentes al agua\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003EEdita Asociaci\u00f3n Feedback Mediaci\u00f3n Cultural \\u0026amp; Aquagest. Santiago de Compostela, 2005.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Portada_FUNDACION_Antonio_Perez_OK.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Portada_FUNDACION_Antonio_Perez_OK.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/Portada_FUNDACION_Antonio_Perez_OK.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003EReferencia obra adquirida en: \\u0022Adquisiciones, donaciones y otros (1998-2000)\\u0022\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp\\u003E\u00a0Edita Fundaci\u00f3n Antonio P\u00e9rez \\u0026amp; Diputaci\u00f3n Provincial de Cuenca. Cuenca, 2001.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/IMAGEN-EXPO-B.FLUXA-edit.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/IMAGEN-EXPO-B.FLUXA-edit.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/IMAGEN-EXPO-B.FLUXA-edit.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022NADA ES LO QUE PARECE\\u0022 Javier Hontoria.\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp class=\\u0022font_0\\u0022\\u003ETexto tr\u00edptico de sala: Exposici\u00f3n individual en MAS Museo de Arte Contempor\u00e1neo de Santander.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/invita-galeria-artificial_edited.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/invita-galeria-artificial_edited.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/invita-galeria-artificial_edited.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022(PONER) LAS COSAS EN SU LUGAR\\u0022 Jos\u00e9 Mar\u00edn Medina\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp class=\\u0022font_0\\u0022\\u003ETexto cat\u00e1logo:\\u003C\\\/p\\u003E\\n\\u003Cp class=\\u0022font_0\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/bfluxa.wixsite.com\\\/barbarafluxa\\\/texto-oculto-j-h\\u0022 target=\\u0022_self\\u0022\\u003EExposici\u00f3n individual Galer\u00eda Artificial.\\u003C\\\/a\\u003E\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/cereceda-articulo-abc.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/cereceda-articulo-abc.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/cereceda-articulo-abc.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022TESTIMONIOS DE UNA CIVILIZACI\u00d3N PERDIDA\\u0022 Miguel Cereceda\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cdiv id=\\u0022comp-j59wns6w\\u0022 class=\\u0022dm1\\u0022 title=\\u0022texto medina.pdf\\u0022 data-content-padding-left=\\u00225\\u0022 data-content-padding-right=\\u00225\\u0022 data-content-padding-top=\\u00225\\u0022 data-content-image-height=\\u002262\\u0022\\u003E\\n\\u003Cdiv id=\\u0022comp-j59wns6wimg\\u0022 class=\\u0022dm1img\\u0022 data-has-bg-scroll-effect=\\u0022\\u0022 data-style=\\u0022\\u0022 aria-hidden=\\u0022true\\u0022\\u003ECr\u00edtica prensa: Exposici\u00f3n individual Galer\u00eda Artificial.\\u003C\\\/div\\u003E\\n\\u003C\\\/div\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;,&quot;\\u003Cdiv class=\\u0022eael-filterable-gallery-item-wrap\\u0022\\u003E\\n\\t\\t\\t\\t\\u003Cdiv class=\\u0022eael-gallery-grid-item\\u0022\\u003E\\u003Ca href=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/entrevista-EL-PAIS.jpg\\u0022 class=\\u0022eael-magnific-link eael-magnific-link-clone active media-content-wrap active\\u0022 data-elementor-open-lightbox=\\u0022no\\u0022 title=\\u0022\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-thumbnail-wrap\\u0022\\u003E\\u003Cimg src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/entrevista-EL-PAIS.jpg\\u0022 data-lazy-src=\\u0022https:\\\/\\\/barbarafluxa.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/entrevista-EL-PAIS.jpg\\u0022 alt=\\u0022\\u0022 class=\\u0022gallery-item-thumbnail\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-wrap caption-style-hoverer eael-slide-up\\u0022\\u003E\\u003Cdiv class=\\u0022gallery-item-hoverer-bg\\u0022\\u003E\\u003C\\\/div\\u003E\\u003Cdiv class=\\u0022gallery-item-caption-over\\u0022\\u003E\\u003Ch5 class=\\u0022fg-item-title\\u0022\\u003E\\u0022SOY UNA ARTISTA SIN FORMATO\\u0022 Sol Alonso\\u003C\\\/h5\\u003E\\u003Cdiv class=\\u0022fg-item-content\\u0022\\u003E\\u003Cp class=\\u0022font_0\\u0022\\u003EEntrevista: Exposici\u00f3n individual Intermediae-Centro de creaci\u00f3n Contempor\u00e1nea Matadero-Madrid.\\u003C\\\/p\\u003E\\n\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E\\u003C\\\/a\\u003E\\u003C\\\/a\\u003E\\u003C\\\/div\\u003E\\u003C\\\/div\\u003E&quot;]\" data-init-show=\"25\">\n                <div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen4.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen4.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen4.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"En Espa\u00f1a. Fotograf\u00eda, encargos, territorios, 1983\u20142009\". <\/h5><div class=\"fg-item-content\"><p>Esparza, J. Ribalta, C. Zelich (eds.)(2021) Edita Fundaci\u00f3n ICO &amp; RM Verlag.<\/p>\n<p>\u00a0<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen3.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen3.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen3.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\u201cLa cosa del pantano\u201d. Guirao, J.; Montcl\u00fas, N. (edits.)(2020). <\/h5><div class=\"fg-item-content\"><p>Edita Fundaci\u00f3n Montemadrid, Madrid.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen2.png\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen2.png\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen2.png\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\u201cBienalSur2021\u201d. Diana Beatriz Wechsler [et al.] (2022)<\/h5><div class=\"fg-item-content\"><p>Edita Universidad Nacional de Tres de Febrero, Buenos Aires, Argentina.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen1.png\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen1.png\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2024\/02\/Imagen1.png\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\u201cProducir mundo entre redes y mara\u00f1as\u201d B\u00e1rbara Flux\u00e1; Luc\u00eda Loren; Soledad Guti\u00e9rrez (Edits.)(2023).<\/h5><div class=\"fg-item-content\"><p>\u00a0Edita Galer\u00eda de arte Luc\u00eda Mendoza, Madrid. DL.:BA-000648-2023. \u00c1mbito Internacional. Idioma: castellano e ingl\u00e9s.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-naturalmenteOK3.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-naturalmenteOK3.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-naturalmenteOK3.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Cat. exp. colectiva: \"Naturalmente artificial. El arte espa\u00f1ol y la naturaleza (1968-2006)\u201d<\/h5><div class=\"fg-item-content\"><p>PARRE\u00d1O, Jose; MATOS, Grego (eds.). Edita: Museo de Arte Contempor\u00e1neo Esteban Vicente. Segovia, 2006.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-Aprendiendo-de-las-CuencasOk.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-Aprendiendo-de-las-CuencasOk.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-Aprendiendo-de-las-CuencasOk.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Publicaci\u00f3n de investigaci\u00f3n: \"Aprendiendo de las cuencas\"<\/h5><div class=\"fg-item-content\"><p>L\u00d3PEZ ARRAIZA, Sara; RUIZ ALL\u00c9N, Nacho (et. col.). Edita Sara L\u00f3pez Arraiza; Nacho Ruiz All\u00e9n. 2014, Oviedo.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-ArteEcologia.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-ArteEcologia.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-ArteEcologia.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Referencia obra en: \"Arte y ecolog\u00eda\".<\/h5><div class=\"fg-item-content\"><p>RAQUEJO, Tonia; PARRE\u00d1O, Jose Mar\u00eda (eds.)(2015). Aportaci\u00f3n visual obra \"Reconstrucciones arqueol\u00f3gicas\". Edita Universidad Nacional de Educaci\u00f3n a Distancia. Madrid, 2015.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portra-raer-rotated.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portra-raer-rotated.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portra-raer-rotated.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Cap\u00edtulo: \"Roma ancora \u00e9 Roma\".<\/h5><div class=\"fg-item-content\"><p>Edita Real Academia de Espa\u00f1a en Roma\u00a0 &amp; Chromamedia S.L. Roma, 2007. Castellano, Italiano.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Portada-Ineditos-Caja-Madrid_OK.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Portada-Ineditos-Caja-Madrid_OK.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Portada-Ineditos-Caja-Madrid_OK.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Cat\u00e1logo exposici\u00f3n colectiva: \u201cIn\u00e9ditos 2008\"<\/h5><div class=\"fg-item-content\"><p>Edita Obra social Caja Madrid. Madrid, 2008. M-29291-2008.\u00a0<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-premios-cmOk.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-premios-cmOk.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-premios-cmOk.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"Premios de Creaci\u00f3n Art\u00edstica de la Comunidad de Madrid 03\/08\". \"Testimonios futuros\"<\/h5><div class=\"fg-item-content\"><p>Edita Comunidad de Madrid. Consejer\u00eda de Cultura y Turismo. Direcci\u00f3n General de Archivos, Museos y Bibliotecas. Madrid, 2009.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-Generaciones-Caja-Madrid-2007.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-Generaciones-Caja-Madrid-2007.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-Generaciones-Caja-Madrid-2007.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"Generaci\u00f3n 2007. Premios y Becas de Arte Caja Madrid\"<\/h5><div class=\"fg-item-content\"><p>\u00a0Edita Obra social Caja Madrid. Madrid, 2007.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-art-ificial.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-art-ificial.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-art-ificial.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"B\u00e1rbara Flux\u00e1. Las cosas en su Lugar\"<\/h5><div class=\"fg-item-content\"><p>Texto cr\u00edtico: Jose Mar\u00edn Medina. Edita Galer\u00eda Artificial. Madrid, 2005.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-kaldarte_OK.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-kaldarte_OK.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/portada-kaldarte_OK.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"Kaldarte 06. Proyecto de arte p\u00fablico\"<\/h5><div class=\"fg-item-content\"><p>Edita Conseller\u00eda de Cultura e Deporte. Xunta de Galicia. Caldas de Reis, 2006.\u00a0<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-tangentes.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-tangentes.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/portada-tangentes.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">DVD Exposici\u00f3n colectiva: \"Tangentes al paisaje\"<\/h5><div class=\"fg-item-content\"><p>Comisario: Chema de Francisco. Edita Fundaci\u00f3n Rodriguez Acosta y el Excm. Ayuntamiento de Granada. Granada, 2006.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-Resistentes-al-agua-rotated.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-Resistentes-al-agua-rotated.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/01\/Portada-Resistentes-al-agua-rotated.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Cat\u00e1logo exposici\u00f3n colectiva: \"Resistentes al agua\"<\/h5><div class=\"fg-item-content\"><p>Edita Asociaci\u00f3n Feedback Mediaci\u00f3n Cultural &amp; Aquagest. Santiago de Compostela, 2005.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Portada_FUNDACION_Antonio_Perez_OK.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Portada_FUNDACION_Antonio_Perez_OK.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2021\/02\/Portada_FUNDACION_Antonio_Perez_OK.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">Referencia obra adquirida en: \"Adquisiciones, donaciones y otros (1998-2000)\"<\/h5><div class=\"fg-item-content\"><p>\u00a0Edita Fundaci\u00f3n Antonio P\u00e9rez &amp; Diputaci\u00f3n Provincial de Cuenca. Cuenca, 2001.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-edit.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-edit.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/IMAGEN-EXPO-B.FLUXA-edit.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"NADA ES LO QUE PARECE\" Javier Hontoria.<\/h5><div class=\"fg-item-content\"><p class=\"font_0\">Texto tr\u00edptico de sala: Exposici\u00f3n individual en MAS Museo de Arte Contempor\u00e1neo de Santander.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/invita-galeria-artificial_edited.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/invita-galeria-artificial_edited.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/invita-galeria-artificial_edited.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"(PONER) LAS COSAS EN SU LUGAR\" Jos\u00e9 Mar\u00edn Medina<\/h5><div class=\"fg-item-content\"><p class=\"font_0\">Texto cat\u00e1logo:<\/p>\n<p class=\"font_0\"><a href=\"https:\/\/bfluxa.wixsite.com\/barbarafluxa\/texto-oculto-j-h\" target=\"_self\">Exposici\u00f3n individual Galer\u00eda Artificial.<\/a><\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/cereceda-articulo-abc.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/cereceda-articulo-abc.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/cereceda-articulo-abc.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"TESTIMONIOS DE UNA CIVILIZACI\u00d3N PERDIDA\" Miguel Cereceda<\/h5><div class=\"fg-item-content\"><div id=\"comp-j59wns6w\" class=\"dm1\" title=\"texto medina.pdf\" data-content-padding-left=\"5\" data-content-padding-right=\"5\" data-content-padding-top=\"5\" data-content-image-height=\"62\">\n<div id=\"comp-j59wns6wimg\" class=\"dm1img\" data-has-bg-scroll-effect=\"\" data-style=\"\" aria-hidden=\"true\">Cr\u00edtica prensa: Exposici\u00f3n individual Galer\u00eda Artificial.<\/div>\n<\/div>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div><div class=\"eael-filterable-gallery-item-wrap\">\n\t\t\t\t<div class=\"eael-gallery-grid-item\"><a href=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/entrevista-EL-PAIS.jpg\" class=\"eael-magnific-link eael-magnific-link-clone active media-content-wrap active\" data-elementor-open-lightbox=\"no\" title=\"\"><div class=\"gallery-item-thumbnail-wrap\"><img decoding=\"async\" src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/entrevista-EL-PAIS.jpg\" data-lazy-src=\"https:\/\/barbarafluxa.com\/wp-content\/uploads\/2020\/12\/entrevista-EL-PAIS.jpg\" alt=\"\" class=\"gallery-item-thumbnail\"><\/div><div class=\"gallery-item-caption-wrap caption-style-hoverer eael-slide-up\"><div class=\"gallery-item-hoverer-bg\"><\/div><div class=\"gallery-item-caption-over\"><h5 class=\"fg-item-title\">\"SOY UNA ARTISTA SIN FORMATO\" Sol Alonso<\/h5><div class=\"fg-item-content\"><p class=\"font_0\">Entrevista: Exposici\u00f3n individual Intermediae-Centro de creaci\u00f3n Contempor\u00e1nea Matadero-Madrid.<\/p>\n<\/div><\/div><\/div><\/a><\/a><\/div><\/div>            <\/div>\n            \n                    <\/div>\n        \n        \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d69b987 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d69b987\" data-element_type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1ddd11c\" data-id=\"1ddd11c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-310f19a elementor-widget elementor-widget-spacer\" data-id=\"310f19a\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>TEXTOS, CAT\u00c1LOGOS Y MEDIOS CAP\u00cdTULOS Y LIBROS [CHAPTER &#038; BOOKS]<\/p>","protected":false},"author":1,"featured_media":0,"parent":11893,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11743","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages\/11743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/comments?post=11743"}],"version-history":[{"count":382,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages\/11743\/revisions"}],"predecessor-version":[{"id":16170,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages\/11743\/revisions\/16170"}],"up":[{"embeddable":true,"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/pages\/11893"}],"wp:attachment":[{"href":"https:\/\/barbarafluxa.com\/en\/wp-json\/wp\/v2\/media?parent=11743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}